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Read Charlotte′s Web, the best-selling children′s paperback of all time.
E.B. White said this about his stories: ″Are my stories true, you ask? No, they are imaginary tales, containing fantastic characters and events. In real life, a family doesn′t have a child who looks like a mouse; in real life, a spider doesn′t spin words in her web. In real life, a swan doesn′t blow like a trumpet. But real life is only one kind of life – there is also the life of the imagination. And although my stories are imaginary, I like to think that there is some truth in them, too – truth about the way people and animals feel and think and act.″
Using the criteria below, write an essay telling why Charlotte′s Web is a good book.
How to tell if a book is good:
Good books have tension, accuracy, and believability
Good books use Words and Pictures effectively
In a good book, Words provide:
Precise vocabulary, figurative language, compelling dialogue, appealing language, understatement, and unexpected insights
In a good book, Pictures are used to:
Establish setting
Define and develop characters
Reinforce the text
Provide a differing viewpoint
Add interesting asides, extend or develop the plot, and establish a mood
Tell how those elements are used in Charlotte′s Web.
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I have submitted the instructions of my assignment, My submission and the feedback from my instructor after submitting my paper. Please fix my submission according to the feedback I received.

List and explain at least five main forces that will determine future change in healthcare.
How will you, as a healthcare administrator/manager, deal with those changes? Be specific and make sure that your ideas are feasible. For example, you will not have unlimited budgets and labor willing to work for low wages.

MHRA 1.5 or double spaced.
Please be aware you may need physical material sources from Bfi Reuben Library or National Archive in Birkhamstead. If you choose what they are, I can place an order, visit and send you scans. Ideally would just do 1 visit. Identifying a film collection (from anywhere in the world), analyse its history and evolution as an institution of film culture, before programming three films from its collection. (Explain the rationale for the choice and include programming notes).
The British Film Institute (BFI) National Archive boasts a rich collection of films that spans over a century of cinema history, making it a significant repository of cultural heritage. However, the archive′s history also reveals its role as a gatekeeper of film culture, wielding considerable authority in determining which films are preserved, studied, and showcased. This institutional power can sometimes lead to a homogenization of narratives and perspectives within the archive, potentially marginalizing alternative voices and interpretations.
Within the BFI′s special collections lie fan ephemera and magazines containing fan-written letters, which serve as valuable artifacts that challenge the BFI′s authority and disrupt its hegemonic control over film discourse. Drawing on the ideas of Michel Foucault and Jacques Derrida, we can deconstruct the power dynamics within the BFI′s archive and highlight the subversive potential of fan-written works as positive outliers that bypass institutional constraints. Example essays included. Suggested readings: related to national film cultures and archives)
Caroline Frick. 2011. Saving Cinema : the politics of preservation, Oxford University Press; in particular, Ch.6, The Plurality of Preservation, pp. 151-180.
Andrew Higson. 1993. Re-Presenting the National Past : Nostalgia and pastiche in the heritage film. In: Fires Were Started : British cinema and Thatcherism, edited by Lester Friedman, pp.109-129. University of Minnesota Press.
Eric Hobsbawm and Terence Ranger (eds). 1983. The Invention of Tradition. Cambridge University Press.
David Lowenthal. 1998. The Heritage Crusade and the Spoils of History. Cambridge University Press.
Carolyn Steedman. 2002. Dust: The archive and cultural history (encounters). Rutgers University Press.
Patrick Wright. 1985. On Living in an Old Country : The national past in contemporary Britain. Verso.
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I hope that the answers are correct, accurate and not copied, and I want the solution in the same file.

Hello, all the information and instructions you need to do the project in the files below!! Please let me know if you need any additional information, Thank you!!

Paper Should Have:
A clear overall thesis.
This can be an argumentative, analytical, or explanatory thesis, or some combination of the three.
A length of around 1000-1500 words NOT including quotations, footnotes, or the bibliography.
Footnotes and a bibliography in Chicago Style. (do not use parenthetical citations)
Your paper should be 12 point Times New Roman and double spaced.
Your paper should focus heavily on your primary sources, but secondary sources should be used to give context. (e.g. who wrote the text, when it was written, and any other cultural or historical details needed to understand the text)
Use these sources:
Barbara Graziosi and Johannes Haubold. “Homer: The Resonance of Epic”. Publisher: A&C Black, 2013.
Jenny Strauss Clay. “The Politics of Olympus: Form and Meaning in the Major Homeric Hymns”. Publisher: Princeton University Press, 1989.
Richardson, Nicholas. “Three Homeric Hymns: To Apollo, Hermes, and Aphrodite”. Publisher: Cambridge University Press, 2010. Timothy Gantz. “Early Greek Myth: A Guide to Literary and Artistic Sources”. Publisher: The Johns Hopkins University Press, 1993.

its an 8 page exploratory essay based on how stoicism can help mental health. it needs at least 8 sources and an annotated bibliography.

Please discuss the details of my assignment
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I need to research about the topic Tuck the everlasting book vs film I need to Write and outline I need to write a draft Edit the draft And submit it